This Side of Tomorrow
Tanya's 11 o'clock number from Five Minutes On The Low Road. She's been to the other side — and she's not going back to the leaderboard. Sung by Lia Peros.
All songs, newest first.
Tanya's 11 o'clock number from Five Minutes On The Low Road. She's been to the other side — and she's not going back to the leaderboard. Sung by Lia Peros.
Sung by the great Lia Peros - final version after much refinement.
Score video by the Macrófona choir of Argentina and a video imagery version are now available.
The first song from our musical in development.
A commission written for a beloved person. An SATB choral piece based on Mary Oliver's The Summer Day.
A convergent musical service — two men, two eras, one song. The signature number from Escape From Babylon.
Prompted by a key emotional moment in the play Marjorie Prime.
Stranger Things, anyone?
Two people who can't have nice things.
Gilbert and Sullivan, slightly impressionistic?
A woman coming to terms with her childhood home. Modeled on Alan Menken's 'Life I Never Led.'
For the caregivers.
A father reflecting on his late wife's parenting. 'Stunningly beautiful' according to one longtime musical theater professional.
A young, cross-dressing gay man in 1920s Wisconsin, coming to terms with his identity.
An art song, sung diegetically in a period musical. 1960s Mancini sensibility but with harmonic materials available in 1928.
Regina is the traveling director of Womanless Weddings. Formidable, cultured, yet earthy. Not one to be messed with.
Theo singing of his escape from the harsh realities of life in everyday rural Wisconsin.